Tag: 2026
  • 130926

    130926

    The architecture is stacked. Like Legos in a makeshift playground. It contributes to the charm. City planning is reserved for the areas that either no one visits or everyone visits. Standing on a rooftop; the city stretches like a desert of cubes, wires and DETAILS. This is the beauty of cities like this. Everywhere a small decision has contributed to the view I am taking in. Wherever I look there is a odd story. An unorthodox solution for a cable fitting, a way to feed doves, a spot to read a book.


    Athens reads like a Moebious sci-fi. Scribbled with squiggly lines that are easy to appreciate if you look from the correct angle. If you are from here, maybe not so much… The beauty of decay means something else when you are in it. Existing in chaos will make you long for order. The same is true the other way around. For a north European the madness of Athens feels like a weight falling off your shoulders. A backpack filled with starbucks, neat roads and western hegemony.

    When people tourist here, they go for this reason (or Akropolis). To them, it’s a chaotic playground that transmit a tingle of excitement. “Maybe here something can happen?” It’s a dream put upon a place from the outside but only possible because of what happens on the inside as a response to life back home.

    A location in a state of pure decay instills dread. Athens is not this kind of place. The people you meet live normal lives, engage and have your interests. They watch the same movies and read the same books in school. They walk around well kept and groomed, even more so than most central European countries. Instead of the dead in a graveyard, Athenians seem more misplaced in the situation they inhabit.

    I went to a trading card game shop and played some Magic the gathering. It felt like normal. Same lovable nerds I feel most comfortable with. I set out to buy a nut and a bolt at a hardware store to fix a broken chair. I ended up getting it for free. At the local supermarket they know me now.

    Περπατώντας σε δρόμους γεμάτους σύριγγες προς το κατάστημα παιχνιδιών με κάρτες / Walking through streets full of needles to the trading card games store.

  • 100926

    100926

    3d scanned modell of monument put in a box of Athens typical street tiles.

    A few loosely connected observations:

    Third day in Athens. I have been doing a lot of walks, sound capture, 3D scans, reading, and exploring. One thing that strikes me when I am here after is how the city is divided into different areas. Naturally every city has it’s own divisions but the divisions in Athens are somehow very “flare-full”. The fact that you have Εξάρχεια (Exarchia, the anarchist neighborhood) next to Κολωνάκι (Kolonaki, the posh area) is probably the most obvious thing, but this “conflict” goes into the very DNA of the city. It is a city with a certain poetic charm that is in a constant state of negotiation. Fancy stores are covered in graffiti. A street vendor of snacks also sell books of serious historic merit because it is this person’s interest. Police guard the embassies close to the national park while smoking cigarettes and arguing about the latest football game (with their bulletproof vests sitting on the street because of the heat).

    In the context of Europe, Greece is the missing link to the Middle East and Muslim culture. Even when Alexander the great embraced Persian culture. Or during the Ottoman empire up until the migration crisis today. Greece is the most protruding (corrupted) embassy for European consciousness at the Mediterranean sea.

    Hospitality and friendliness to the “other” is stronger than in most European places I have visited. It’s the old myth about Balkan of family and friends distrusting the government. As a northern European this feels like the back of the moon. Maybe it is true, maybe it is not, but the story of cultures shifting like a gradient seem realistic. Similar myths exist about Irak or Afghanistan but in their cases they get a slightly more scary word of clans or brotherhoods.

    “A physical manifestation of the shared European consciousness and its deep, undeniable connection to the Middle East. Long before modern political divides, this 13th-century miniature from the Cantigas de Santa Maria captures the living ‘missing link’: a European Christian courtier and a Middle Eastern Muslim musician sitting side-by-side, sharing the same space, the same aesthetic grid, and the same instrument. It stands as a visual reminder that what modern central powers often ostracize as ‘the other’ is, in reality, woven into the very DNA of our shared European heritage.”

    I have in general been interested in this connection of European consciousness and the connection with the Middle East. Probably because immigration from Turkey and Iran was part of my upbringing, and eventually Afghanistan, Syria, and Iraq post-9/11. Personally, I view a lot of these wars as a way to erase the past, or distance yourself from it. Of course the oil, minerals, geopolitical goals etc are the main motivation pragmatically. Still, this flogging of your heritage and how western culture have treated these parts of the world is something different. It has made certain actions possible, and certain thoughts impossible.

    It is a relative you can not stand anymore and you just want their inheritance, but you can’t stand them because of something a distant uncle pointed out.

    Cultural conflict spreads. Perhaps that is what has happened to Greece. A little bit too Μεσογειακή (Mediterranean), and also somewhat Persian from Μέγας Αλέξανδρος (Alexander the Great) maybe, for the tastes of Central European people. That is not a good mix in a world that is highly skeptical toward Middle Eastern culture.

    Following in the footsteps of the economic crisis of 2008. Greece became that relative in the family that the caught a bad rep from an other family member. Demands came from Central European countries that ended up sending Greece into the economic situation it now inhabits. Meanwhile, most other countries that struggled economically before the EU have improved their economic situation, while Greece keeps lagging behind.

    But Athens has always been in a state of collapse and renegotiation. Just as so many other places decorating the boarders of the Mediterranean sea. This temple of Europe, like Jerusalem to the Middle East, intrigues me and escapes simple answers.

    The first mention of the word Europe was in a Hymn to Apollo by Homeros:

    “Here I am minded to make a glorious temple, an oracle
    for men, who will ever bring me perfect hecatombs,
    both those who possess the rich Peloponnesus
    and those of Europe and the wave-washed islands,
    coming to seek counsel; and to them all I would
    deliver a decree that cannot fail, giving answers in my rich temple.”

    “Αγόρια που μιλάνε για το κινητό κάποιου”/”Boys talking about someone’s phone”

  • 08092026

    08092026

    Landed in my Athens studio that will be my home for the coming months (reach out if you are here! I am lonely!). I’m here on a grant from Helge Ax:son Johnson working with sound, 3d, drawing and other media to explore Athens as a source of imagination inspired by collapse/mutation and Europe as a fantasy world, whatever that means… Either way it will be a lot of exploring the nooks and corners of this city for information and inspiration, creatives and artsy nerds.

    As a guiding light I am working with the excellent book “Otherworlds” (Federico Campagna) that I recommend to everyone. It chronicles the Mediterranean relationship to myth, tale and imagination across the ages up until present day.

    Another great book, but in the genre of fiction, I am working with is “Good will come from the sea” (Christos Ikonomou) that covers an era of Greek history after the economic collapse of 2008. A beautiful depiction of when the promise of justice given by the contemporary west collapse. Specifically upon its own and, somehow, a cultural “us” turn into “them”.

    Sound will be a major part of what I am doing here. The past years I have been drifting more and more into what sound is and how I can relate to it myself. I have taken this as an opportunity to continue this research with a bunch of small, fast, studies. Like sketches but with audio. For the most part I am recording sounds and working with granular synthesis using modular synths. Somewhat time consuming, highly unpractical and kind of impossible to listen to as music. I prefer to look at it as a way to work with sound that is more as a painting. Something listen to as a sound you hear walking down the street. A ambiance to itself or something like that. Buying food at Elvis Souvlaki today I recorded some ambiance I mangled through the modular synth that you can listen to here:

    Expect more continues updates from me while I am here since I would like to keep more active journaling what I am doing for my own sake.

  • The imagining tear trailer

    I’m very happy to release this trailer for my short film “The imagining tear”! 💧

    “The imagining tear” a dreamlike visual narrative inspired by mythological creation tales, early Y2K video game cutscenes and theoretical litterature of reality and imagination I have been reading lately. Maybe mostly the work of Federico Campagna. In no way a visual theoretical essay, this short is my way of exploring the short film medium, and is the result of hours spent hand crafting every 3d-model, texture and animation while learning the medium. It’s been a fantastic experience and I am so greatfull to Konstnärsnämnden here in Sweden for supporting this project!

    The full release is still in the future but are planned to go out to animation film festivals and screenings next year. it turns out that there are MANY parts with making a semi-professional film I never had foreseen and even though I am making a self produced silent short there are more people to involve to make it into what it should be.

    For this trailer I had help from the fantastic Coco Magnusson that did the cutting, grading and music.

    Enjoy your vacation, if you have any, and stay posted on the development of this project. It will be something out of the ordinary!

  • Update June 27, 2026

    Update June 27, 2026

    Radio silence from me the past couple of months for a bunch of reasons. First of all I have been going crazy in a small, way to hot, studio working on my animated short. Luckily, the first phase is coming to its conclusions! Soon I will have something moving to show! It has been a copious amount of work but thanks to the economic support of the Swedish Arts Grants Committee I have been able to relax a reasonable amount in this process.

    I also have had the pleasure of starting a sketching process for a big public work in Stockholm. It is still alot of work and time left but it’s a new and great experience to work with a bigger scale and budget. More on that later…

    It was a long time since I felt it so rewarding to work as an artist. I have alot of projects going on and it’s all moving forward. Most importantly I find alot of it interesting and worth investing time and money into. I think the biggest benefit for me with becoming a parent is that your scope changes slightly. It’s more important for me to be present in my everyday life now and I think this spills over into the artworks. It’s somehow easier to cut away the bullshit, I think… or, I’m just still on my parental high.

    Anyway, to me this feels alot like a production year for showing things in 2027. Everything in its time I guess.

  • Virserum Mural

    Virserum Mural

    I spent the past week finishing this mural on the wall of Virserum Konsthall in Sweden. A lot of fun to paint in this scale, especially when I had the help of my friend Morgan Phalen to deal with a lot of stuff around the actual painting. It felt like pure luxury to just be able to focus on only painting while someone would help you block out base coats, get you food, drive you around, chit-chat and just make sure everything went smoothly in general. Virserum Konsthall was also amazing as well as Johan Enocsson who commissioned the mural.

    It will be up for a year or so before a new person comes along to make something new there.

    As I have written before, if anyone wants a mural in some context: Don’t hesitate to ask! I would most likely be interested in both private and public contexts. I find it very interesting to paint in this scale and there is something about having your work relate to its surroundings permanently that opens up a new way of thinking about the picture.

    The mural itself is my take on a very classic concept for murals. A workers’ motif. It depicts a textile worker, a carpenter, a builder, a gardener, and an artist/architect hard at work. It’s one of those motifs I just needed to tackle on my own and get out of my system. Very satisfied with the result!

  • Spring books

    Spring books

    Two fantastic books I have been reading lately. I have been a little bit fed up with literature for a couple of years but as always with books it’s about finding the right ones.

    Someone else can probably sum them up better but Technic and Magic is about the relationship in-between society as a control mechanism/reality definer (technic) and imagination of other realities as the way in which we move beyond rigid systems (magic).

    Back to Reims is a beautiful description of class a  journey and at the same time a credible study of the racist right wing movements of the western world and how these are related to the abandonment of the working class.

    They have been invaluable inspiration in a time when the world is on fire and art in general is very commercialized and stale or flat and overtly political in a way that mostly feels forced and about positioning.

    There is still an abundance of artists that make fantastic work though. I feel like the biggest problem, for artists is the expectations on style and consistency. Something that inevitably paints you into a corner as an artist of repeating images that, once outplayed by zeitgeist, easily can be discarded and replaced.

    I have been on Instagram for 20 years almost until I stopped and it’s interesting to think back on all those artists that where all over instagram 10 years ago and now I remember almost none of them.

    I think an alternative for artists is to seek ways of expression within their own practice and let the glue that sticks all the work together be the concise path you follow. In my opinion this has been demonstrated especially well by female artists the past 50 years. I’m talking about artist like Camille Henrot, Sophie Calle, Louise Bourgeois, Ida Ekblad, Jana Euler etc

    Diverse practices shifting in themes, material and look while still maintaining a certain obtuse feel that reminds of the artist herself. In many ways making them irreplaceable.

    Not directly related to the books above but still something that revolves around a certain kind of topics connected to resistance, imagination, dealing with capitalism, individual/class freedom and art making.

  • Updates 13 march 26

    Updates 13 march 26

    Some process and info on what’s going on.

    I’m hard at work with my animated short at the moment. It’s a slow process but very interesting and it gives me alot. Still quite some months until I need to be done but animation might be one of the most time consuming art forms you can get into. Luckaly I already got some guidance and help from Minna Floss and Oskar Aglert.

    Once or twice per week I still go to my big studio to work with sculpture and painting. I attached some images that (very poorly in my hallway) documents the first one I finished. They are made of garbage covered in acrylic plaster, cut, sanded and polished. Painting is also coming along nicely with some new work and I’m slowly building up the pieces of a puzzle that I think will come together as a really nice show. In some sense, since my kid was born, I feel like everything is falling in place like I haven’t experienced before.

    As for upcoming shows etc I have some stuff coming up in the fall of this year as well as a solo show in Lund at the legendary Krognoshuset early 2027. In spring I will finish a mural att Virserums konsthall outside of Kalmar. I’m making a record design with New York punk band Extream Sports and building a ENORMOUS recording library with my own music in preparation for my next record.

    My days are otherwise playing out in a different pace than before and coming home and working is shifting over to coming home and being with my family. I always thought work more = better but I’m slowly getting accustomed to the idea that maybe there is a better way.

    On the intellectual side Federico Campagnas texts has helped me alot and given me new excitement to think about my work in a different way. As always with theory, it’s more about connecting than understanding and it was many years since I connected with text in this way.

    Other than this the world is on fire. Trump and Netan-yahoo is acting like big insane babies and I find comfort in looking at work by Camille Henrot, Jana Euler and Martin Kippenberg. Nothing ever changes. Leaders are still despicable.